The Dream Weaver: Gleb Derujinsky's Spectacular Fashion Photography

Gleb Derujinsky was a well-known fashion photographer who worked during the 20th century. His style was characterized by bold lighting, solid lines and angles, and a keen sense of composition. He was known for his ability to create beautiful and dramatic images, capturing the essence of each garment and model he worked with.

Derujinsky started his career in the fashion industry in the 1920s, working for various magazines and advertising clients. He quickly gained a reputation for his innovative and distinctive style, and his work was soon in high demand. Over the years, he worked with some of the biggest names in fashion, including Coco Chanel and Christian Dior. His images appeared in magazines such as Vogue and Harper’s Bazaar.

One of Derujinsky’s signature techniques was his use of high-contrast lighting. He would often use multiple lights to illuminate his subjects, creating dramatic shadows and highlighting the lines and shapes of the clothing. He also used mirrors and other reflective surfaces, adding depth and dimension to his images.

Another critical aspect of Derujinsky’s work was his attention to detail. He would often spend hours carefully styling each shot, ensuring that every garment was positioned and that each model was posed in a way that best showcased the clothing. He was known for his ability to create elegant and stylish images, capturing the essence of each design while also making a strong statement.

Derujinsky’s success can be attributed to his unique vision and unwavering commitment to his craft. He was constantly pushing the boundaries of what was possible in fashion photography, and his innovative techniques and attention to detail set him apart from his peers. Today, he is remembered as one of the most outstanding fashion photographers of all time, and his work continues to inspire photographers around the world.

#1 Sandra Nelson in white silk organdy dress with a little shawl around the shoulders by Mollie Parnis, Harper’s Bazaar, December 1952

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#2 Eva Gerney in suit of Forstmann wool mixed with silver thread by Branell, beret by John-Frederics, llama calf bag by Coblentz, Wings Heirloom luggage, Harper’s Bazaar, December 1953

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#3 Jean Patchett in strapless top wrapped with a sash and a slim skirt with two pleats in back, Harper’s Bazaar, July 1954

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#4 Carmen Dell’Orefice in summery shift of a dress dappled with wild flowers and sashed with a ribbon by David Crystal, the car is Chrysler’s Imperial “Southampton”, Harper’s Bazaar U.S., May 1956

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#5 Cherry Nelms in bare-backed white piqué sundress printed with roses, by Alex Colman, aboard Grace Lines’ Santa Paula, Harper’s Bazaar, January 1956

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#6 Harper’s Bazaar editorial, 1956

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#7 Ruth Neumann Derujinsky (l) and Barbara Mullen in Tarnmoor’s exotic border print cotton beachwear by Greta Plattry, Vogue, January 1956

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#8 Evelyn Tripp in navy blue suit with white blouse bowed at the collar, Harper’s Bazaar, February 1957

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#9 Harper’s Bazaar editorial, 1957

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#10 Model is wearing printed cotton maillot by Cole of California, in Pound Ridge, New York, Harper’s Bazaar, 1957

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#11 Ruth Neumann Derujinsky in gray flannel suit, jacket is folded envelope-style at the waist, skirt is lined with organdie to billow out by Marquise, cloche by Emme, Harper’s Bazaar, February 1957

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#12 Ruth Neumann Derujinsky in red Wamsutta cotton dress by Jerry Gilden, Harper’s Bazaar, January 1957

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#13 Carmen Dell’Orefice in deep green basket-weave wool suit with longer jacket and fringed scarf collar by Monte Sano & Pruzan, hat by Mr. Arnold, Harper’s Bazaar, September 1958

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#14 Carmen Dell’Orefice in pebbly gray Forstmann wool dress and jacket, jacket has big kimono collar and deep cuffs by Christian Dior-New York, Harper’s Bazaar, September 1958

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#15 Marie Helene-Arnaud in a Coty Lipstick ad, 1958

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#16 Ruth Neumann Derujinsky in white bathing suit and straw hat, Harper’s Bazaar UK, July 1958

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#17 Ann Farrar, Instant Beauty by Coty ad, Vogue, March 15, 1959

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#18 Carmen Dell’Orefice in blue Supima cotton shirtwaist dress by David Crystal, Hawaii, Harper’s Bazaar, January 1959

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#19 Carmen Dell’Orefice in cotton two-piece bathing suit by Cole of California, matching cover-up by Leon Levine, Hawaii, Harper’s Bazaar, January 1959

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#20 Carmen Dell’Orefice in lovely blue evening dress of Supima cotton by Jerry Parnis, Hawaii, Harper’s Bazaar, January 1959

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#21 Evelyn Tripp in triangular black ottoman coat with a cardigan collar by Originala, mantilla with yellow rose by Emily Wetherby, Harper’s Bazaar, February 1959

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#22 Jan Rylander in silk strapless dress circled in vivid colors worn with a red gros de Londres coat with wide sleeves by Scaasi, hat by Em

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#23 Model in pale Lapis Lazuli blue peignor of nylon tricot with ecru lace inserts by Van Raalte, Harper’s Bazaar, April 1959

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#24 Ruth Neumann Derujinsky in dinner suit of orange and yellow velveteen, matching cone hat by Emme, Harper’s Bazaar, April 1959

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#25 Ruth Neumann Derujinsky in ivory-white silk tussah dress, the sleeves flounce out and the waist is tied with matching ribbon by Larry Aldrich, organdy toque by Walter Florell, Harper’s Bazaar, April 1959

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#26 Ruth Neumann Derujinsky in silk crêpe dinner dress of yellow and black stripes on green with wide kimono sleeves by Galanos, leafy green hat by Mr. Arnold, Harper’s Bazaar, April 1959

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#27 Simone d’Aillencourt in blue suede tunic top and slim trousers by Samuel Robert, Harper’s Bazaar, August 1959

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#28 Simone d’Aillencourt in linen sheath of cocoa brown and white alternating blocks by B.H. Wragge, sandals by Evins, Harper’s Bazaar, June 1959

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#29 Simone d’Aillencourt in nut-beige wool jersey suit, the short jacket has elasticized waist above slender gathered skirt by Ben Zuckerman, hat by Lilly Daché, Harper’s Bazaar, February 1959

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#30 Simone d’Aillencourt in red linen top trimmed in black braid and skirt with inverted pleats by Sloat, red sandals by Mademoiselle, Harper’s Bazaar, June 1959

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