in

Maureen O’Sullivan: Life Story and Photos of Hollywood’s Endearing Ingenue and Tarzan’s Jane

Maureen O’Sullivan, born on May 17, 1911, in Boyle, County Roscommon, Ireland, was an accomplished actress whose career in Hollywood spanned over six decades. Known for her wholesome, girl-next-door image, O’Sullivan captivated audiences with her natural charm and warmth. She is perhaps best remembered for portraying Jane in the famous “Tarzan” film series alongside Johnny Weissmuller. In this post, we delve into the life and career of Maureen O’Sullivan, a beloved figure in cinema.

Early Life and Entry into Hollywood

Maureen O’Sullivan’s journey to Hollywood began when director Frank Borzage discovered her while filming in Ireland. Impressed by her beauty and poise, he cast her in a small role in the film “Song o’ My Heart” (1930). Following this, O’Sullivan moved to Hollywood and signed a contract with Fox Film Corporation.

Her early roles in films like “So This Is London” (1930) and “Just Imagine” (1930) showcased her talent for both drama and comedy. However, it wasn’t until her portrayal of Jane in “Tarzan the Ape Man” (1932) that she truly captured the hearts of audiences worldwide.

Tarzan and Jane: A Cinematic Love Story

O’Sullivan’s role as Jane opposite Johnny Weissmuller’s Tarzan in “Tarzan the Ape Man” began one of Hollywood’s most iconic on-screen partnerships. Their chemistry was undeniable, and the pair went on to star in six “Tarzan” films throughout the 1930s and early 1940s.

The “Tarzan” series showcased O’Sullivan’s ability to convey vulnerability, strength, and intelligence, as she portrayed Jane as a damsel in distress and a capable, resourceful partner to Tarzan. The films resonated with audiences and solidified her status as a leading lady in Hollywood.

Beyond the Jungle: Other Notable Roles

While O’Sullivan is most often associated with her role as Jane, her career encompassed various films and genres. Some of her most notable roles include that of a troubled ballerina in “The Barretts of Wimpole Street” (1934), a love interest in “The Thin Man” (1934), and a school teacher in “A Day at the Races” (1937) alongside the Marx Brothers.

In 1948, O’Sullivan starred in “The Big Clock,” a film noir where she played a strong, independent career woman – a departure from her earlier roles. Her performances in these films demonstrated her versatility as an actress and her ability to hold her own alongside some of Hollywood’s biggest names.

Family Life and Semi-Retirement

In 1936, O’Sullivan married director John Farrow, with whom she had seven children, including actress Mia Farrow. As her family grew, O’Sullivan chose to step back from her acting career to focus on her children. However, she did make occasional appearances in film and television, such as a memorable turn in the Disney film “Bon Voyage!” (1962) and a guest role in the popular television series “Perry Mason.”

In 1984, following the death of her husband, O’Sullivan returned to acting more regularly, appearing in films such as “Hannah and Her Sisters” (1986), directed by her son-in-law, Woody Allen. She continued working in film and television until her final role in “Hart to Hart: Home Is Where the Hart Is” (1994).

Legacy and impact

As Jane in the “Tarzan” series, she captured the hearts of millions, creating a timeless cinematic love story that enchants new generations of fans. Her ability to seamlessly transition between genres – from adventure films to comedies, dramas, and film noirs – demonstrated her versatility and depth as an actress.

Beyond her on-screen accomplishments, O’Sullivan’s dedication to her family and her choice to prioritize her children over her career at a time when such decisions were uncommon for Hollywood actresses set a powerful example for women in the entertainment industry. Her later return to acting after the death of her husband showcased her resilience and passion for her craft.

Maureen O’Sullivan passed away on June 23, 1998, at 87, leaving behind a body of work spanning over six decades and encompassing some of the most beloved films in Hollywood history. Her performances imbued with warmth, intelligence, and charm, continue to inspire and delight audiences worldwide, ensuring her place in the pantheon of Hollywood’s most treasured stars.

#2 Maureen O’Sullivan, 20th-century American Actress

#8 Johnny Weissmuller and Maureen O’Sullivan in ‘Tarzan, The Ape Man’

#9 Johnny Weissmuller with Maureen O’Sullivan, Scene from ‘Tarzan the Ape Man’ 1932

#10 Maureen O’Sullivan Demonstrating Scarf Knot, 1932

#11 Maureen O’Sullivan at Annual Christmas Benefit Show, 1930s

#12 Maureen O’Sullivan in ‘Payment Deferred’, 1932

#14 Portrait of Irish-American Actress Maureen O’Sullivan

#16 Prima Ballerinas Benita Hune and Maureen O’Sullivan, 1933

#17 Maureen O’Sullivan on Set of ‘Anna Karenina’, 1934

#18 Maureen O’Sullivan in Costume for ‘Anna Karenina’, 1934

#19 Frank Lawton and Maureen O’Sullivan in ‘David Copperfield’, 1934

#20 Johnny Weissmuller and Maureen O’Sullivan in ‘Tarzan And His Mate’, 1934

#21 Maureen O’Sullivan, Actress of the 1930s and 1940s

#26 Maureen O’Sullivan in “The Barretts of Wimpole Street”, 1935

#27 Frank Lawton and Maureen O’Sullivan in ‘David Copperfield’, 1935

#28 Maureen O’Sullivan Sunbathing on the Sand, 1935

#29 Maureen O’Sullivan in ‘Hillbilly’ Clothes, 1935

#30 Maureen O’Sullivan Modeling Outfit by I Pagnin, 1935

#31 Maureen O’Sullivan, Studio Portrait, circa 1935

#32 Maureen O’Sullivan and Johnny Weissmuller in Tarzan, 1930s

#33 American Actress Maureen O’Sullivan, circa 1935

#34 Maureen O’Sullivan, Actress of the 1930s and 1940s

#38 Maureen O’Sullivan as the Girl from the Country, 1935

#40 Maureen O’Sullivan with ‘Kurly Kue’ Permed Hairstyle, 1935

#41 Maureen O’Sullivan and John Farrow’s Wedding, 1936

#43 Maureen O’Sullivan Hanging on a Gate, circa 1940

#44 Maureen O’Sullivan, Irish-American Actress, circa 1940

#45 Maureen O’Sullivan – Irish-American Actress, circa 1940

#46 Maureen O’Sullivan Receives St. Bridget Trophy, 1946

#47 Tarzan and Jane in ‘Tarzan’s New York Adventure’, 1942

#48 Maureen O’Sullivan in CBS Radio Drama ‘Suspense’, 1944

#49 Wallace Beery and Maureen O’Sullivan in ‘Madelon’, 1947

#50 Maureen O’Sullivan in ‘The Big Clock’, 1948

#51 Maureen O’Sullivan and John Farrow their with daughter Prudence at their Los Angeles home.

#52 Maureen O’Sullivan (1911-1998), Irish-American film actress, 1933.

#54 Ray Milland and Maureen O’Sullivan in “The Big Clock,” 1948.

#55 Maureen O’Sullivan and Frank Lawton in “David Copperfield,” 1935.

#56 Maureen O’Sullivan and Robert Taylor in “A Yank at Oxford,” 1938.

#57 Tarzan’s Secret Treasure, 1941: Johnny Weissmuller, Maureen O’Sullivan. Director: Richard Thorpe.

#58 Johnny Weissmuller and Maureen O’Sullivan in a 1933 publicity photo on Santa Monica Beach, California. Metro Goldwyn Mayer publicity.

#59 Maureen O’Sullivan as Jane Parker on the set of “Tarzan and His Mate,” 1934, directed by Cedric Gibbons and Jack Conway.

#60 Maureen O’Sullivan wears a pale pink chiffon gown with an elbow-length cape. Her silver brocaded bandana bag adds formality. A flower in her hair complements the look.

#62 Maureen O’Sullivan and Robert Taylor in “A Yank at Oxford,” 1938.

#63 Maureen O’Sullivan as Jane Parker on set, drinking tea during a break while filming “Tarzan and His Mate,” 1934, directed by Cedric Gibbons and Jack Conway.

#64 Director George Seitz measures words per second for scenes in “Woman Wanted.” He guides Maureen O’Sullivan and Joel McCrea’s speech speeds on the Metro-Goldwyn-Mayer set.

#65 Frank Morgan and Maureen O’Sullivan on the set of “Port of Seven Seas,” MGM, 1938.

#66 Eric Linden and Maureen O’Sullivan in “The Voice of Bugle Ann.”

#67 Maureen O’Sullivan making waffles with an electric wafflemaker.

#68 Maureen O’Sullivan (1911-1998), Irish-born American actress.

#69 Released: July 10, 1936. Original Film Title: “The Devil-Doll.”

#70 Maureen O’Sullivan in a candid 1938 portrait at home.

#71 Maureen O’Sullivan’s 1930 portrait by Autrey.

#72 Maureen O’Sullivan’s 1934 full-length pose on an exercise bench.

#73 Maureen O’Sullivan’s 1941 candid full-length portrait at home with a Dalmatian Dog.

Written by Emily Madison

Emily Madison, a vintage enthusiast with a passion for all things old Hollywood and retro. When she's not busy fawning over her collection of vintage record players, you can find her cuddling with her beloved feline companions. With a love for classic films and a penchant for collecting vintage treasures, Emily is always on the lookout for the next big find.

Leave a Reply

Your email address will not be published. Required fields are marked *

Gentlemen Prefer Blondes 1953

Gentlemen Prefer Blondes (1953): Iconic Moments and Behind the Scenes in Vintage Photos

Dorothea McGowan

Dorothea McGowan: The Unforgettable Face of the ’60s Fashion Revolution