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Barbarella 1968: A Blast from the Past, Full of Futuristic Fashion and Campy Fun, Captured in a Stunning Photos

Barbarella, released in 1968, is a science fiction film. It’s known for its colorful visuals, its campy tone, and its portrayal of a futuristic world. The film is based on a French comic book series of the same name. It stars Jane Fonda as the titular Barbarella, a space traveler on a mission to find a missing scientist.

The film takes place in the 41st century. Barbarella is sent by the President of Earth to find Dr. Durand Durand. He’s a scientist who has created a powerful weapon that could threaten peace in the galaxy. Her journey takes her to various strange and fantastical planets.

The visuals of Barbarella are one of its most distinctive features. The film is full of bright colors, unusual costumes, and elaborate sets. The design is very much a product of the late 1960s, with a psychedelic and futuristic aesthetic.

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The costumes in Barbarella are particularly memorable. They are often revealing and designed to emphasize Jane Fonda’s figure. They contribute to the film’s reputation for being sexually suggestive. The film’s tone is intentionally campy. It doesn’t take itself too seriously. It’s full of humor and over-the-top situations. This campy tone is a big part of its appeal.

Barbarella herself is a unique character. She is innocent and naive, but also resourceful and brave. She often finds herself in dangerous situations, but she always manages to find a way out. The film is full of strange and memorable characters. Barbarella encounters various aliens, robots, and other inhabitants of the galaxy. These characters add to the film’s fantastical atmosphere.

One of the most memorable sequences in the film involves a machine called the “Excessive Machine.” This machine is designed to provide intense pleasure. This scene is one of the reasons why the film is considered sexually suggestive. The film also features a scene with blind angels. These angels are kept captive and used for their singing voices. This scene adds a darker and more surreal element to the film.

Barbarella was directed by Roger Vadim, who was Jane Fonda’s husband at the time. He was known for his visually stylish films. His direction contributes to the film’s distinctive look. The film’s music is also a key part of its atmosphere. The soundtrack features a mix of electronic music and orchestral scores. It adds to the film’s futuristic and otherworldly feel.

 

#1 Jane Fonda in the title role of the movie, Barbarella

#4 Jane Fonda at the mercy of the evil Durand-Durand (Milo O’Shea) in the “excessive machine” on the set of Barbarella, 1968.

#5 Jane Fonda ensconced in the “excessive machine” on the set of Barbarella, 1968. At right is her husband, the director Roger Vadim.

#6 Jane Fonda and her husband, the director Roger Vadim, on the set of Barbarella, 1968.

#7 Jane Fonda and her husband, the director Roger Vadim, on the set of Barbarella, 1968.

#8 Jane Fonda (in white) and other cast members on the set of Barbarella, 1968.

#9 Jane Fonda and Milo O’Shea (as Durand-Durand), 1968.

#10 Guardian Angel (John Phillip) carried off Barbarella.

#14 Jane Fonda in a scene from “Barbarella”, 1967.

#15 Jane Fonda in a scene from “Barbarella”, 1967.

#16 A spaceship on a volcanic landscape set for “Barbarella”, 1967.

#17 Jane Fonda with two extras in a scene from “Barbarella”, 1967.

#18 Two background actors in costumes on the set of “Barbarella”, 1967.

#19 Jane Fonda and Antonio Sabato Jr. in a scene from “Barbarella”, 1967.

#20 Terry Southern and Roger Vadim discussing the “Barbarella” script with Jane Fonda, 1967.

#21 Marcel Marceau as Professor Ping in “Barbarella”, 1967.

#22 Roger Vadim directing Jane Fonda and an extra in “Barbarella”, 1967.

#23 Jane Fonda with her husband on the set of “Barbarella”, 1967.

#24 Roger Vadim directing Jane Fonda in a scene from “Barbarella”, 1967.

#25 Roger Vadim directing Jane Fonda and Ugo Tognazzi in “Barbarella”, 1967.

#26 Roger Vadim directing Jane Fonda in a scene from “Barbarella”, 1967.

#27 Jane Fonda in a dangerous situation in “Barbarella”, 1967.

#30 Jane Fonda in a feathered nest in “Barbarella”, 1967.

#32 John Phillip Law and Jane Fonda on the set of “Barbarella”, 1967.

#34 John Phillip Law and Jane Fonda in a scene from “Barbarella”, 1967.

#35 Jane Fonda in a scene from “Barbarella”, 1967.

#36 A character in a loincloth among spiderwebs on the set of “Barbarella”, 1967.

#37 Jane Fonda in a rocky cave scene from “Barbarella”, 1967.

#38 Jane Fonda in a scene from “Barbarella”, 1967.

#39 Jane Fonda with two extras in a scene from “Barbarella”, 1967.

#40 Jane Fonda in a scene from “Barbarella”, 1967.

#41 Jane Fonda and John Phillip Law in “Barbarella”, 1967.

#42 Jane Fonda and John Phillip Law on the set of “Barbarella”, 1967.

#43 Roger Vadim and Jane Fonda conversing on the set of “Barbarella”, 1967.

#44 Jane Fonda getting makeup done on the set of “Barbarella”, 1967.

#45 Jane Fonda being rescued by John Phillip Law in “Barbarella”, 1967.

#46 Jane Fonda in a scene from “Barbarella”, 1967.

#48 Two fantasy creatures on the set of “Barbarella”, 1967.

#49 John Phillip Law on the set of “Barbarella”, 1967.

#50 Roger Vadim directing Jane Fonda and Ugo Tognazzi in “Barbarella”, 1967.

#51 Jane Fonda in a scene from “Barbarella”, 1967.

#52 Jane Fonda in a scene from “Barbarella”, 1967.

#53 Jane Fonda looking at a feathered wing in “Barbarella”, 1967.

#54 John Phillip Law and Jane Fonda in an action scene from “Barbarella”, 1967.

#55 Jane Fonda and Ugo Tognazzi in a scene from “Barbarella”, 1967.

#56 Jane Fonda in a scene from “Barbarella”, 1967.

#57 Jane Fonda in a scene from “Barbarella”, 1967.

#58 Jane Fonda and John Phillip Law in a giant nest in “Barbarella”, 1967.

#59 Jane Fonda in a scene from “Barbarella”, 1967.

Written by Emily Madison

Emily Madison, a vintage enthusiast with a passion for all things old Hollywood and retro. When she's not busy fawning over her collection of vintage record players, you can find her cuddling with her beloved feline companions. With a love for classic films and a penchant for collecting vintage treasures, Emily is always on the lookout for the next big find.

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