in

The Betty Compson Story: A Career Spanning the Transition from Silent to Sound Film

Betty Compson was an American actress and film producer born on March 19, 1897 in Beaver, Utah, and died on April 18, 1974 in Hollywood, California. She began her career in the silent film era and appeared in over 180 films between 1913 and 1951. She is best known for her performances in silent films such as “The Docks of New York” (1928) and “The Barker” (1928). Compson also produced several films and was one of the first women to have a successful career as a film producer in Hollywood.

Acting Career

Betty Compson began her acting career in 1913, at the age of 16, with the film “The Pit.” She appeared in a number of silent films during the 1910s and 1920s, and quickly established herself as a leading lady in Hollywood. Compson’s performances in films such as “The Docks of New York” (1928) and “The Barker” (1928) were critically acclaimed and helped to establish her as a prominent actress of the silent film era.

In the early 1930s, Compson transitioned to sound films, and appeared in several movies such as “The Big House” (1930) and “The Secret Six” (1931) which were successful both commercially and critically. She also appeared in several musicals and comedies during this time, including “The Half Naked Truth” (1932) and “King of Burlesque” (1936).

Compson’s acting career began to decline in the 1940s, and she appeared in fewer films during this decade. However, she did have a minor role in the film noir classic “The Big Sleep” (1946) which starred Humphrey Bogart and Lauren Bacall. Her last film credit was 1951 in “The Great Missouri Raid.”

Production Career

Betty Compson was not only an accomplished actress, but also a successful film producer. She began producing films in the late 1920s and was one of the first women to have a successful career as a producer in Hollywood.

Compson’s first film as a producer was “The Docks of New York” (1928), which she also starred in. The film was a commercial and critical success and helped to establish Compson as a talented producer as well as actress. She went on to produce several more films in the 1920s and 1930s, including “The Barker” (1928) and “The Half Naked Truth” (1932).

During her production career, Compson focused on producing films that highlighted the talents of female performers, and she was known for giving women in the film industry opportunities to showcase their skills. She also produced several films that were directed by women, which was unusual for the time.

Compson’s production career declined in the 1940s, as she focused more on her acting career. However, she did produce a few films during this decade, including “The Great Missouri Raid” (1951) which was her last film as a producer.

Throughout her career as a producer, Compson was known for her ability to identify and develop talented performers, and her dedication to giving women in the film industry opportunities to showcase their skills. Her legacy as a pioneering female producer in Hollywood continues to be remembered today.

Personal Life

Betty Compson had a tumultuous personal life. She was married and divorced three times, and had several relationships throughout her life.

Compson’s first marriage was to film director James Cruze in 1917, but the couple divorced in 1923. She then married film producer Paul Schofield in 1927, but the couple divorced in 1929. Her third and final marriage was to film producer Edward F. Finney in 1932, but the couple divorced in 1935.

Compson had several high-profile relationships throughout her life, including with actor John Gilbert and director King Vidor. She was also known for her close friendships with many of her co-stars and colleagues in the film industry.

Compson also struggled with alcoholism throughout her life, and it is believed that this contributed to the decline of her career in the 1940s. She was also known for her eccentric behavior, and she had a reputation for being difficult to work with.

Compson passed away on April 18, 1974, in Hollywood, California, due to a heart attack. Despite her personal struggles, she is remembered as a talented actress and a pioneering figure in Hollywood.

#1 Betty Compson with Dorothy Dane and Harry Edwards in one of the Al Christie Comedies, ‘Never Surprise Your Wife’, 1925

#2 Betty Compson wearing a fur-trimmed nightgown in a bedroom, 1924.

#4 Betty Compson tells her secret to a suit of armor.

#8 Betty Compson pours a drunken looking John Darrow a drink in a clip from the RKO film ‘A Lady Refuses’, 1927

#10 Gary Cooper and Betty Compson in The Spoilers, 1930

#15 Dorothy Mackaill as Lou, Betty Compson as Carrie, Milton Sills as Nifty Miller, Douglas Fairbanks, Jr. as Chris Miller, and Sylvia Ashton as Ma Benson in the 1928, The Barker

#16 Betty Compson and Jack Holt in Eve’s Secret, 1925

#19 Betty Compson relaxes as she plays her Violin in Hollywood, 1929

#20 Betty Compson in a still from the film -The Pony Express, 1926

#21 Betty Compson dances in a still from the film “The Barker” 1928.

#22 Betty Compson in a scene from the movie “The Great Gabbo”

#23 Betty Compson in a scene from the movie “The Belle of Broadway”‘

#24 Betty Compson and John Darrow in a scene from the movie “The Lady Refuses”

#25 William Bakewell, Sam Hardy, Betty Compson, Louise Fazenda, and Purnell Pratt looking at each other in a scene from the film ‘On With The Show!’, 1929

#26 Betty Compson, who appeared in ‘On With the Show’, an all talking, 1934

#27 Betty Compson having separated from her husband Irving Weinberg, 1937

#29 John Gilbert the stage name of John Pringle, with Betty Compson in a love scene from the film ‘Twelve Miles Out’, 1927

#30 Billy Mason and Betty Compson in one of the Al Christie Comedies, ‘Cupid’s Camouflage’, 1917

#31 Betty Compson at bath-time for a film scene, 1920

#32 Kathleen Clifford and Betty Compson stage a mock fight with their fur stoles, 1920.

#33 Betty Compson plays violin as she stands beside a piano, 1930

#35 Betty Compson poses on a sofa, modeling a swimwear fashion. She wears a two-piece bathing suit and a dressing gown with pearls over it, 1930

#36 Betty Compson in a scene from the movie ‘The Miracle Man’, 1919

#38 Betty Compson in the 1924 silent film Garden Of Weeds

#39 Betty Compson and Bob Reeves in The Docks of New York (1928)

#40 Betty Compson and John Harron in Czar of Broadway, 1930

#41 Robert Ames and Betty Compson in Three Who Loved, 1931

#42 Richard Barthelmess, Betty Compson, and Loretta Young in Scarlet Seas, 1928

#43 George Barraud and Betty Compson in Woman to Woman, 1929

#44 Betty Compson and John Harron in Street Girl, 1929

#45 Betty Compson and Milton Sills in The Barker, 1928

#46 Betty Compson and Chester Morris in The Case of Sergeant Grischa, 1930

#47 Betty Compson and Eddie Dowling in Blaze o’ Glory, 1929

#49 Pat O’Brien and Betty Compson in Destination Unknown, 1933

#50 Richard Barthelmess and Betty Compson in Weary River, 1929

#51 Richard Barthelmess and Betty Compson in Weary River, 1929

#52 Betty Compson and John Harron in Street Girl, 1929

#53 Betty Compson and Lilyan Tashman in The Garden of Weeds, 1924

#54 Betty Compson and Theodore von Eltz in Locked Doors, 1925

#55 Richard Barthelmess and Betty Compson in Weary River, 1929

#56 Betty Compson and Anne Shirley in The Fast Set, 1924

#57 Joseph Cawthorn and Betty Compson in Street Girl, 1929

#59 Betty Compson and John Harron in Street Girl, 1929

#60 Betty Compson and Lilyan Tashman in The Garden of Weeds, 1924

#61 Joan Crawford, Betty Compson, and Dewey Robinson in Strange Cargo, 1940

#62 Betty Compson and Ralph Forbes in Inside the Lines, 1930

#63 Richard Barthelmess and Betty Compson in Weary River, 1929

#64 Betty Compson and James Kirkwood in Into the Light, 1926

#66 Richard Barthelmess, Betty Compson, Louis Natheaux, and George E. Stone in Weary River, 1929

#68 Betty Compson and Lilyan Tashman in The Garden of Weeds, 1924

#69 Betty Compson and John Darrow in The Lady Refuses, 1931

#71 Jack Carson, Betty Compson, and Robert Montgomery in Mr. & Mrs. Smith, 1941

#73 Betty Compson, George Fitzmaurice, and Bert Lytell in Kick In, 1922

#75 Lon Chaney, Betty Compson, Joseph J. Dowling, and Thomas Meighan in The Miracle Man, 1919

#76 Betty Compson and Edmund Lowe in The White Flower, 1923

Written by Willow Rutherford

Willow Rutherford, a retro fashionista and vintage music lover with a special little sidekick in tow. When she's not busy chasing after her adorable baby girl, you can find her scouring thrift stores and estate sales for one-of-a-kind pieces. With a love for all things vintage and a passion for motherhood, Willow is always on the lookout for the next big find.

Leave a Reply

Your email address will not be published. Required fields are marked *

Joan Jett Hairstyle

Rebel With a Cause: The Joan Jett Hairstyle and Its Role in Shaping Popular Culture

1950S Fashion Models

Legendary Ladies of Fashion: The Models Who Dominated the 1950s Runways