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Marion Davies: The Silent Film Star with a Heart of Gold – A Photo Retrospective and Biography

Marion Davies, a talented actress and philanthropist, remains enigmatic in classic Hollywood. Often overshadowed by her long-standing relationship with the influential newspaper magnate William Randolph Hearst, Davies’ exceptional actress talent and generosity are sometimes overlooked. This post explores the life and career of Marion Davies, delving into her accomplishments on and off the screen and shedding light on her enduring legacy.

Early Life and the Road to Stardom

Born Marion Cecilia Douras on January 3, 1897, in Brooklyn, New York, Davies grew up in a close-knit family with her four sisters. Her father, Bernard J. Douras, was a lawyer and judge, while her mother, Rose Reilly, was a devoted homemaker. Davies’ foray into the entertainment industry began at a young age, with her mother’s encouragement and support.

Initially, she appeared in chorus lines in Broadway revues and modeled for illustrators and photographers. In 1916, she got her first film break with a small role in “Runaway Romany,” directed by her brother-in-law, George W. Lederer. It wasn’t until she met William Randolph Hearst, however, that her career truly began to take off.

The Hearst Connection and Career Highlights

Hearst, smitten by Davies’ beauty and charisma, became her mentor, lover, and lifelong companion. Using his considerable influence, he helped launch her career by producing and promoting her films. Though their relationship undoubtedly played a significant role in her rise to fame, it’s crucial to acknowledge Davies’ talent and dedication as an actress.

Marion Davies starred in over 45 films throughout her career, showcasing her versatility and range as a performer. She excelled in both comedic and dramatic roles, earning praise from critics and audiences alike. Some of her most notable films include “When Knighthood Was in Flower” (1922), “Little Old New York” (1923), “Janice Meredith” (1924), “The Patsy” (1928), and “Show People” (1928).

Davies’ acting style was characterized by her naturalism, effervescence, and impeccable comedic timing. Her on-screen presence was magnetic, and she could hold her own against some of the biggest stars of the time.

Transition to Sound Films and Retirement

The advent of sound films in the late 1920s presented a challenge for many silent film actors, but Davies made the transition smoothly. She starred in several successful “talkies,” including “Marianne” (1929), “Not So Dumb” (1930), and “Going Hollywood” (1933). Her final film, “Ever Since Eve” (1937), marked her retirement from acting at the age of 40.

Although Davies’ acting career came to an end, she remained involved in Hollywood and continued to support the industry that had given her so much. She turned her focus to philanthropy, becoming an influential patron of the arts and a generous supporter of various causes.

Philanthropy and Legacy

Marion Davies was known for her kind-hearted nature and generosity. She used her wealth to make a difference in the lives of others, contributing to various causes and charities throughout her life. She was particularly passionate about supporting children’s causes and providing opportunities for aspiring actors.

During World War II, Davies actively supported the war effort and was involved in fundraising for the Hollywood Canteen, a club that provided food and entertainment to servicemen. Later, she donated her Santa Monica beach house to the State of California, transforming the property into a public beach.

Marion Davies death

Davies passed away on September 22, 1961, at the age of 64 due to complications from cancer. Her death was mourned by many in the film industry and beyond, who recognized her talent and contributions to the arts. Marion Davies’ funeral was held on September 26, 1961, at the Immaculate Heart of Mary Catholic Church in Hollywood, California. The service was attended by many prominent figures in the entertainment industry, including actors and producers who had worked with Davies throughout her career.

Davies was laid to rest at the Hollywood Forever Cemetery in Los Angeles, alongside other notable figures in the film industry such as Rudolph Valentino and Cecil B. DeMille. Her grave is marked with a simple headstone that bears her name and the dates of her birth and death.

Here are some gorgeous photos of Marion Davies from her career and life.

#1 Marion Davies was the stage name of Marion Douras. She was the protege of publishing magnate William Randolph Hearst, 1923.

#2 Marion Davies poses in an exact replica of Princess Mary’s wedding gown and veil, made by Reville of London, dressmaker to Her Majesty the Queen, 1920s.

#3 Marion Davies returns from a visit to London on the S.S. Mauretania, 1920s.

#4 Marion Davies plays the young Mary Tudor in the 1922 film ‘When Knighthood Was In Flower’, 1922.

#5 Marion Davies was an actress, producer, screenwriter, and philanthropist.

#7 Marion Davies poses for a portrait standing against an American flag, 1920s

#8 Marion Davies models a cloche hat and a long jacket, 1920s.

#9 Marion Davies, the protege of William Randolph Hearst, poses with her new car, 1920s.

#12 Marion Davies relaxes in her Beverly Hills garden with her dog, 1920s.

#13 Marion Davies poses with Frederico Masses, the court painter to the King of Spain, 1920s.

#14 Marion Davies presents a birthday cake to Mr. and Mrs. Hobart, 1920s.

#15 Marion Davies exercises in her Beverly Hills garden, 1920s.

#17 Marion Davies appears in a gym scene from ‘The Fair Co-ed’, 1920s.

#18 Marion Davies, the protege of William Randolph Hearst, 1900s

#19 Marion Davies, the protege of William Randolph Hearst, 1919

#20 Marion Davies appears in a scene from the movie “Runaway, Romany”

#21 Marion Davies stars in the film ‘The Fair Co-Ed’, 1920s.

#23 Marion Davies hangs a wreath on the monument for Robert Fulton in the Trinity Church courtyard for the film ‘Little Old New York’. 1923.

#24 Beach beauties sport sunburns with the names of their favorite film stars, including Marion Davies. 1920s.

#25 Marion Davies shares an affectionate moment in a scene from ‘Janice Meredith’, 1924.

#26 Marion Davies stars in the Metro-Goldwyn-Mayer film ‘Show World’, 1925.

#27 Marion Davies stars in ‘Lights Of Old Broadway’, 1925.

#28 Marion Davies stars in ‘Lights Of Old Broadway’, 1925.

#29 Marion Davies stars in ‘Lights Of Old Broadway, 1925.

#30 Marion Davies posing between two candles on a fireplace, 1925.

#31 Marion Davies with a wistful look in her eye, 1925.

#33 Marion Davies wearing an embroidered leotard and a cape, 1925.

#34 Marion Davies wearing a sequin, ruffle dress and hat, 1925.

#35 Billie De Vaull showing a program to Marion Davies, while director Monta Bell and Conrad Nagel look on with interest, 1920s.

#38 Actress Marion Davies in a scene from the movie “Lights of Old Broadway”, 1920s.

#39 Marion Davies with Monta Bell during a break in filming MGM’s ‘The Lights Of Old Broadway’, 1925.

#40 Marion Davies impersonating her male cousin and foiling a villainous plot in the film ‘Beverly Of Graustark’, 1925.

#41 Roy D’Arcy catching Marion Davies donning a pair of uniform trousers in a scene from the romantic comedy ‘Beverly of Graustark’, 1925.

#42 Olga de Meyer posing on a beach of the Venice Lido with Marion Davies, 1930s.

#43 Marion Davies, the stage name of Marion Douras, who was the protege of the publishing magnate, William Randolph Hearst, circa 1926.

#44 Marion Davies impersonating her male cousin and foiling a villainous plot in the film ‘Beverly Of Graustark’, 1926.

#45 Portrait of Marion Davies wearing a wide-brimmed hat and shawl, for MGM Studios, 1926.

#46 Actress Marion Davies and Antonio Moreno in a scene from the movie “Beverly of Graustark”, 1926.

#47 Marion Davies as Beverly Calhoun in Beverly of Graustark, 1926.

#48 Marion Davies as Tina in ‘The Red Mill’, 1926.

#49 Marion Davies holding a large bouquet of ostrich feathers for her role in ‘Beverly of Graustark’, 1926.

#50 Marion Davies starring in ‘Quality Street’, a love story set during the Napoleonic Wars, 1927.

#51 Marion Davies and director Sidney Franklin testing out a device for winding wool on the set of their latest film, ‘Quality Street’, 1927.

#52 Marion Davies playing ball in her room while her friend looks on in astonishment in ‘The Fair Co-Ed’, 1927.

#53 Conrad Nagel and Marion Davies celebrating the birthday of director Sidney Franklin during filming of ‘Quality Street’, 1927.

#54 Marion Davies wearing her coat and hat as she reads a film magazine, 1927.

#57 Marion Davies and Harry Crocker in a scene from the movie “Tillie the Toiler”, 1920s.

#58 Marion Davies wearing a tartan cap, for MGM Studios, 1927.

#59 Marion Davies enjoying a takeaway meal with director King Vidor during the filming of ‘The Patsy’, 1927.

#60 Marion Davies, protege of William Randolph Hearst, had a moderately successful film career in the 1920s and 1930s, 1928.

#61 Marion Davies watches herself on screen during a showing of the day’s rushes in the projection room at Metro Goldwyn Mayer, 1928.

#62 Hollywood director King Vidor and actress Marion Davies during location filming of their latest collaboration, the MGM film ‘Show People’, 1928.

#63 Marion Davies in a fur collar and cloche hat, 1928.

#64 Marion Davies in a publicity portrait for the film ‘The Cardboard Lover’, 1928.

#65 Marion Davies at the time of her appearance in the 1932 movie ‘Polly of the Circus’

#66 Marion Davies in a scene from the movie “Show People”

#67 Marion Davies taken by photographer Ruth Harriet Louise, circa 1929.

#68 Marion Davies wrapped in fur, for Apeda Studios, 1929.

#69 Marion Davies wearing a fur stole and taffeta skirt, for Apeda Studios, 1929.

#70 Marion Davies as Marianne in the 1929 film by the same title.

#71 Marion Davies wearing a men’s army uniform, for MGM Studios, 1929.

#72 Marion Davies draped in fur, for MGM Studios, 1929.

#74 Marion Davies dressed as a bell hop for her role in the film ‘Her Cardboard Lover’, 1930.

#75 Marion Davies, wearing a costume from the film ‘Her Cardboard Lover’, delivering a telegram to director Robert Z Leonard on the set, circa 1930.

#76 Marion Davies, former Broadway chorus girl and protegee of newspaper tycoon William Randolph Hearst, circa 1930.

#77 Marion Davies clutching her chest in a scene from the film ‘Not So Dumb’, 1930.

#78 Marion Davies wearing a ruffled dress and hat, circa 1930.

#79 William Randolph Hearst walking with Marion Davies during a morning stroll at his estate in San Simeon, California, 1930.

#81 Marion Davies with her hands under her chin, for MGM Studios, 1930.

#83 Marion Davies wearing a pearl necklace, for MGM Studios, 1930.

#84 Marion Davies wearing a small hat and fur cuffs, for MGM Studios, 1930.

#85 Marion Davies touching her cheek, who acted in films from the 1920s to the mid-1930s.

#86 Marion Davies, who acted in films from the 1920s to the mid-1930s.

#87 Marion Davies and Claude Allister in a scene from the movie “The Florodora Girl”.

#88 Marion Davies sitting in a car with an actor on a film set, for MGM Studios, 1930.

#89 Marion Davies standing outdoors in a garden, for MGM Studios, 1930.

#90 Marion Davies standing next to a fireplace, for MGM Studios, 1930.

#91 Marion Davies photographed through a mirror on her lap, for MGM Studios, 1930.

#92 Marion Davies chats with Ray Milland in a scene from ‘Bachelor Father’, 1931.

#93 Marion Davies wearing a fur stole and hat, for MGM Studios, 1931.

#94 Marion Davies in a scene from the movie “The Bachelor Father”, 1931.

#96 Marion Davies wearing a head scarf, for MGM Studios, 1931.

#97 Marion Davies wearing a mini-dress, for MGM Studios, 1931.

#98 Marion Davies standing on a trapeze in ‘Polly at the Circus’, for MGM Studios, 1931.

#99 Marion Davies wearing an extraordinary headdress for the film ‘Blondie of the Follies’, 1932.

#101 Marion Davies curled up in an armchair reading a book, for MGM Studios, 1932.

#102 Marion Davies wearing a large feather headdress, for MGM Studios, 1932.

#103 Marion Davies in a scene from the movie “Going Hollywood”, 1933.

#104 Marion Davies wearing a hat and gingham gloves, for MGM Studios, 1933.

#105 Marion Davies in costume during the filming of ‘Operator 13’, 1934.

#106 Marion Davies started out in show business in the chorus line of the Ziegfeld Follies on Broadway. After moving into film acting, she became involved in a relationship with the newspaper mogul William Randolph Hearst, whose overactive promotion of her probably had a negative effect on her career. Taken from Meet the Film Stars, by Seton Margrave, 1934-1935.

#107 Clark Gable and Marion Davies in a scene from ‘Cain and Mabel’, 1936.

#108 Marion Davies as Betsy Patterson and Dick Powell as Jerome Bonaparte in the film ‘Hearts Divided’, 1936.

#110 Marion Davies as ‘Loretta Dalrymple-Dawn Glory’ in a publicity shot from the movie ‘Page Miss Glory’, 1935.

#111 Actor clenches fist with Marion Davies beside him in a scene from the film ‘Cain And Mabel’, 1936.

#112 Marion Davies in a scene from the film ‘Cain And Mabel’, 1936.

#113 Marion Davies in a scene from the movie “Cain and Mabel”, 1936.

#114 Robert Montgomery as Freddy Matthews and Marion Davies as Marjorie Winton (aka Sadie Day) in the film ‘Ever Since Eve’, 1937.

#115 Corrine Barker, moving picture star, arrives on the S.S. Mauretania to play with Marion Davies, 1920s.

Corrine Barker, Moving Picture Star, Arrives On The S.s. Mauretania To Play With Marion Davies, 1920S.

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#116 Marion Davies posing with a ceramic head, 1925.

Marion Davies Posing With A Ceramic Head, 1925.

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Written by Emily Madison

Emily Madison, a vintage enthusiast with a passion for all things old Hollywood and retro. When she's not busy fawning over her collection of vintage record players, you can find her cuddling with her beloved feline companions. With a love for classic films and a penchant for collecting vintage treasures, Emily is always on the lookout for the next big find.

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